{"id":3790,"date":"2025-09-09T12:34:56","date_gmt":"2025-09-09T12:34:56","guid":{"rendered":"https:\/\/fiberwood.com\/?p=3790"},"modified":"2025-09-09T19:29:21","modified_gmt":"2025-09-09T19:29:21","slug":"towards-interior-solutions-tiina-harkasalmis-prototypes-reveal-the-potential-of-fiberwoods-material","status":"publish","type":"post","link":"https:\/\/fiberwood.com\/en\/towards-interior-solutions-tiina-harkasalmis-prototypes-reveal-the-potential-of-fiberwoods-material\/","title":{"rendered":"Towards Interior Solutions \u2014 Tiina H\u00e4rk\u00e4salmi\u2019s Prototypes Reveal the Potential of Fiberwood\u2019s Material"},"content":{"rendered":"
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Doctor of Arts and designer Tiina H\u00e4rk\u00e4salmi is shaping future interior solutions at Fiberwood. Made from forest industry byproducts, the material enables the creation of products that enhance the acoustic and aesthetic quality of public spaces.<\/strong><\/p>\n\n\n\n

Tiina H\u00e4rk\u00e4salmi presents her colour palette with enthusiasm \u2014 it looks just like the watercolour trays from school days. The day before, she created 21 different shades of dyed fibre from the three primary colours: red, blue and yellow.<\/p>\n\n\n\n

The prototypes are part of the product development for acoustic panels made from Fiberwood\u2019s material. H\u00e4rk\u00e4salmi, who holds a Doctorate in Art in the field of design, has worked in material research and product development, with a focus on biomaterials and the circular economy. She is currently developing a range of interior products for public spaces \u2014 a collection that combines recyclable natural fibres, visual appeal and technical performance.<\/p>\n\n\n\n

\"Tiina<\/figure>\n\n\n\n

Exploring the Material\u2019s Potential Through Rapid Prototyping<\/h2>\n\n\n\n

At Fiberwood, H\u00e4rk\u00e4salmi experiments with fibres, dyeing techniques, 3D forms, and textures. True to her design-driven approach, the visual and functional qualities of the products emerge through countless prototypes.<\/p>\n\n\n\n

\u201cI’m fascinated by what materials can do. Technical properties matter a lot. I want to quickly screen what works and what doesn\u2019t \u2014 where the potential lies,\u201d H\u00e4rk\u00e4salmi explains. \u201cI also constantly think about the product\u2019s entire life cycle and its cost-efficiency,\u201d she adds, admitting she’s also a bit of a spreadsheet enthusiast.<\/p>\n\n\n\n

Fiberwood\u2019s materials are based on wood fibres derived from the side streams of the forest industry. The foam forming process makes it possible to blend fibres of different colours. H\u00e4rk\u00e4salmi uses a through-dyeing technique, where pigment is blended directly into the fibre pulp. The result is a durable, vibrant surface where scratches and dents remain invisible. Because the colour runs throughout the material, cut edges appear finished and do not require further treatment.<\/p>\n\n\n\n

\u201cCurrent plastic- and fibre-based products usually have a painted surface. Scratches and cut edges make them look worn and unattractive. Customers are looking for better, recyclable alternatives.\u201d<\/p>\n\n\n\n

H\u00e4rk\u00e4salmi is also excited about the potential for creating 3D forms and textured surfaces:<\/p>\n\n\n\n

\u201cWe\u2019ve produced a few test moulds and experimented with the kinds of surfaces we can make. A 3D shape increases the sound-absorbing surface area, so the form can also serve a functional purpose,\u201d she explains.<\/p>\n\n\n\n

Recyclability is the starting point for the design, but there can be no compromises on quality. The product has to serve the end user for as long as possible. For example, an acoustic panel must be able to withstand exposure to light.<\/p>\n\n\n\n

In her design work, H\u00e4rk\u00e4salmi also anticipates upcoming EU ecodesign regulations and producer responsibility requirements for furniture. Customers are increasingly aware of the many implications of a product\u2019s life cycle.<\/p>\n\n\n\n

\u201cSmart use of materials is also economically sensible. Disposal as mixed waste is a significant cost for customers.\u201d<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

From Panels to Complete Solutions<\/h2>\n\n\n\n

Tiina H\u00e4rk\u00e4salmi\u2019s ambition is that, in time, Fiberwood\u2019s materials will be used to create fully integrated solutions. She imagines acoustic products delivered as ready-made systems \u2014 including frames, hanging mechanisms and all necessary components \u2014 all made entirely from Fiberwood\u2019s materials. The products will be easy to install, light to handle and recyclable for reuse after their initial lifecycle.<\/p>\n\n\n\n

\u201cI feel that nowadays there are many open spaces filled with noise and disturbance, which is a health issue. It\u2019s well established that soundscapes affect things like people\u2019s ability to concentrate and their well-being at work,\u201d H\u00e4rk\u00e4salmi says.<\/p>\n\n\n\n

Beyond appearance and functionality, these solutions also support human well-being. Quieter soundscapes improve comfort in schools, hospitals, restaurants, workplaces and other public spaces.<\/p>\n\n\n\n

The orange, purple and violet samples on H\u00e4rk\u00e4salmi\u2019s tray look almost like sweets. She smiles and says it\u2019s just the beginning:<\/p>\n\n\n\n

\u201cColour, combined with a material made from industrial side streams, offers a great opportunity. With just a few primary colours, we can create an almost unlimited range of tones.\u201d<\/p>\n\n\n\n

Rather than chasing trends, H\u00e4rk\u00e4salmi keeps a close eye on the market and her surroundings, always looking for gaps where better solutions could emerge. Occasional art projects also spark ideas for product development.<\/p>\n\n\n\n

\u201cThe essence of my work is to find solutions that truly serve the user and stand the test of time \u2014 to create spaces that are both aesthetically compelling and acoustically calm.\u201d<\/p>\n\n\n\n\n

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